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Download Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films, by Gil Bettman

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Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films, by Gil Bettman

Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films, by Gil Bettman


Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films, by Gil Bettman


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Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films, by Gil Bettman

About the Author

Gil Bettman is a director and a professor. He teaches at Chapman University in the Dodge College of Film and Media Arts. His book, First Time Director, made the Los Angeles Times bestseller list. He recently completed his fifth feature film, Go There Once, Be There Twice, a documentary recap of the life and times of rock star Sammy Hagar. Bettman has also directed numerous rock videos and multiple episodes of primetime television.

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Product details

Paperback: 232 pages

Publisher: Michael Wiese Productions (January 1, 2014)

Language: English

ISBN-10: 161593166X

ISBN-13: 978-1615931668

Product Dimensions:

11 x 0.5 x 7.5 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

25 customer reviews

Amazon Best Sellers Rank:

#612,998 in Books (See Top 100 in Books)

While doing prep work for my first two feature films I read many books and articles about the importance of camera movement in regards to creating your vision as a director. This book by Gil Bettman will undoubtedly serve as my camera movement bible for my third feature (and fourth, fifth…). What Bettman manages to do in this book is convey not only why we move the camera, but HOW best to move the camera given the circumstances of the scene.Having made my first two features independently, I know just how expensive a great camera move can be, and how in the world of independent filmmaking you need to “get your money’s worth” out of every camera move you decide to make. The first half of this book focuses on ways to seamlessly create professional and intelligent camera moves that can enhance the quality of any film, whether it is a big budget blockbuster like “Saving Private Ryan” or a simple YouTube video. Throughout his book Bettman reiterates that these camera moves are what audiences have come to expect, and without them your product can seem cheap or poorly made.The second half of the book focuses on directing action sequences. Personally I’ve never directed an action sequence, but there’s no denying that the visual eye candy in the action genre is a major reason as to why audiences keep breaking out their wallets to go to theaters to see these movies. More importantly for me, there was plenty to take from this section that could go into any genre, from comedy straight through to drama and horror. This section focuses on lens choice and story-boarding a great deal, and being cognitive as to what your audience is going to see is something that’s paramount to all genres.Finally, if you’re worried about this book being too technical or wordy, don’t fear! The book plays out like a straightforward lecture. There’s no excess fat, no talking in circles, and no words you won’t understand. It’s a smart book, but it exists to teach. And it excels at doing so.

Some interesting insights backed up with clips to actual scenes from real movies that are analyzed and broken down in the book. I learnt quite a bit. A book I will probably re-read a few times until it all becomes automatic. Nice hints for teachers as well.

Straight forward easy to apply information.

Long story short, I recommend this book, you will find a lot of useful information on directing cameras. But the techniques and rules mentioned are more on the surface and lack of depth in terms of building the design of camera movements upon your materials.

excellent book, I came in very good condition, I recommend it for people quew study film and television remain very happy ... thank you

good textbook. learned a ton!

I am not a DOP so I cannot comment from that point of view however from a Directing point of view I think its this book is invaluable. The set out could have been a laid a bit better and the illustrations are adequate but the general content is excellent.

This is a must read for anyone aspiring to work with a camera.

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Ebook Download Video Shooter: Storytelling with DV, HD, and HDV Cameras; DV Expert Series

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Video Shooter: Storytelling with DV, HD, and HDV Cameras; DV Expert Series

Video Shooter: Storytelling with DV, HD, and HDV Cameras; DV Expert Series


Video Shooter: Storytelling with DV, HD, and HDV Cameras; DV Expert Series


Ebook Download Video Shooter: Storytelling with DV, HD, and HDV Cameras; DV Expert Series

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Video Shooter: Storytelling with DV, HD, and HDV Cameras; DV Expert Series

About the Author

Barry Braverman is a veteran director of photography and digital media consultant expert with more than thirty years experience, including work on National Geographic specials, network television programs, feature films and music videos. A frequent collaborator of director Wes Anderson, Braverman photographed the original Bottle Rocket in 1992 and contributed to other productions including The Darjeeling Limited (2007). Braverman hosts the Video Shooter website and blog at www.barrybraverman.com, and offers frequent camera training workshops and classes at locations throughout the U.S. and the world. He lives in Studio City, CA.

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Product details

Series: DV Expert Series

Paperback: 256 pages

Publisher: Focal Press; 1 edition (January 29, 2006)

Language: English

ISBN-10: 1578202892

ISBN-13: 978-1578202898

Product Dimensions:

7.5 x 0.5 x 9 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

63 customer reviews

Amazon Best Sellers Rank:

#3,542,297 in Books (See Top 100 in Books)

I like this book--it's a good intro to visual storytelling using an HD video camera. If you are a pro, or an experienced amateur used to working with pro gear, a lot of it will seem old hat. But for someone moving up from amateur to professional videography, it has some very good points to make.The author starts out emphasizing story over equipment, and that's a good thing. I have seen too many shooters with great gear who simply shoot a ton of random footage that really can't be assembled into a compelling story. A solid logline and a detailed shot list will enable even a novice shooter to get better footage with an iPhone than an unprepared shooter can get with an upper-end P2 camera.That's not to say that the author scrimps on technical issues. There is a good section setting up an HD camera for a shoot--manual settings are pretty much required on all pro cameras to get the best picture quality. And there are good sections on sound and lighting, although the author doesn't provide comprehensive tutorials on the subject; more of a collection of tips.All in all, it's a good addition to my bookshelf. Having finished the book, I'll keep it around as an occasional reference.

Barry Braverman brought me back to the days when the lust object of every aspiring filmnaker was their own Arriflex, Eclair, Beaulieu or Bolex. Braverman pines for those days, in a way, when he writes: "I hate DV [Digital Video]. I hate everything about it . . . Today I'm no longer that special [film] person as almost anyone can afford a decent camera and be a Video Shooter . . . " and he adds "[t]he issue now is who owns the storytelling craft - and that is a much tougher commodity to come by." And with those opening words Braverman launches into a thorough exploration of both traditional filmmaking and digital video. It's literally a pair of high level courses in a single book and it is exceptionally well done. Braverman knows film. Braverman knows digital video. Braverman knows the differences between the two. And Braverman knows not only how to tell a story in film or video, but how to write about it. For anyone contemplating any serious work in video, this book is a must-have. Those aspiring to a career in video absolutely need it. But Braverman's book is equally useful to the serious hobbyist as well. The book is lavishly illustrated with lots of how-to and "why you shouldn't" pictures. The writing is concise and natural, without any pretense toward preachiness. Braverman is very adept at mixing the very technical with explaining the art of visual storytelling. Lighting, camera selection sound, operation and shooting techniques. He covers it all. (I really do hope that Braverman authors a new edition every year or so just to keep apace of the changes in the technology.) The man himself is worth the price of admission. Definitely a book anyone with an interest in telling stories through video will want to have.Jerry

As other reviews mention this is a book about the camera and the shooter and what the shooter should "see." If you are looking for a book on film making then look elsewhere.There is a lot of useful information in Video Shooter sprinkled with a touch of attitude. For the novice Video Shooter is one step above a "Dummies" book and one step below the camera's user's manual and Barry Green's HPX and HVX book.For instance assume the reader has limited knowledge of the pro video environment and has just purchased a $4,000 Panasonic HVX or HMC. What they probably know is home movie consumer based. As such, they struggle to bridge between consumer camera controls and the mulitude of options on the pro camera. Bravermans book assumes that the reader has some knowledge of the basic control options resulting in the novice reader struggling for definitions. There is no glossary so the reader sometimes has to refer to the internet (no big deal) or other books to understand the basic concept or why he is making a point. Hence this is not a "Pro DV for Dummies" tome.The above said Video Shooter is very informative on style and approach to the pro video world. Once again it requires a basic understanding of photography (for instance the relation of the iris/f stops to depth of field).The sections dealing with light (and there are many) force the reader to deal with the subject matter in visual terms relating back to a college art course where light and shadows and perspective are discussed.The accompanying DVD did not work properly in my MAC quick time player. For some reason the "arrow" instructions could not be accessed. It may work in a standard DVD player with a remote control.DVD glitch aside this is a worthwhile read if you have some knowledge of camera controls and operations and is highly reccommended.

Okay so you have a new camcorder, now what? Get this book for starters. If you follow the instruction and wisdom that Barry has stuffed between front and back covers, I guarantee that your video images will stand far apart from the average weekend shooter. Packed full of clear, concise photos to accompany the read you can't go wrong. Although I've taken videography classes, this book serves as a great refresher and reference. Barry also gives you technical advise thats easily digested. There is way too much information in this book for me to pinpoint one particular segment (although I have MY favorites), but if you are a novice to intermediate shooter buy this book like, yesterday! The Five C's of Cinematography: Motion Picture Filming TechniquesGet the book, get your camera, and get focused!

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Download PDF New York City Travel Guide: The Real Travel Guide From a Traveler. All You Need To Know About New York City., by Thomas Leon

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New York City Travel Guide: The Real Travel Guide From a Traveler. All You Need To Know About New York City., by Thomas Leon


New York City Travel Guide: The Real Travel Guide From a Traveler. All You Need To Know About New York City., by Thomas Leon


Download PDF New York City Travel Guide: The Real Travel Guide From a Traveler. All You Need To Know About New York City., by Thomas Leon

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New York City Travel Guide: The Real Travel Guide From a Traveler. All You Need To Know About New York City., by Thomas Leon

Product details

Paperback: 82 pages

Publisher: CreateSpace Independent Publishing Platform (July 5, 2017)

Language: English

ISBN-10: 1548651028

ISBN-13: 978-1548651022

Product Dimensions:

6 x 0.2 x 9 inches

Shipping Weight: 6.2 ounces

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#3,621,116 in Books (See Top 100 in Books)

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Free PDF Archetypal Pattern: Fundamentals of Non-Traditional Psychoanalysis, Book 1: From Carl Gustav Jung's Archetypes of the Collective Unconscious to Individual Archetypal Patterns

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Archetypal Pattern: Fundamentals of Non-Traditional Psychoanalysis, Book 1: From Carl Gustav Jung's Archetypes of the Collective Unconscious to Individual Archetypal Patterns

Archetypal Pattern: Fundamentals of Non-Traditional Psychoanalysis, Book 1: From Carl Gustav Jung's Archetypes of the Collective Unconscious to Individual Archetypal Patterns


Archetypal Pattern: Fundamentals of Non-Traditional Psychoanalysis, Book 1: From Carl Gustav Jung's Archetypes of the Collective Unconscious to Individual Archetypal Patterns


Free PDF Archetypal Pattern: Fundamentals of Non-Traditional Psychoanalysis, Book 1: From Carl Gustav Jung's Archetypes of the Collective Unconscious to Individual Archetypal Patterns

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Archetypal Pattern: Fundamentals of Non-Traditional Psychoanalysis, Book 1: From Carl Gustav Jung's Archetypes of the Collective Unconscious to Individual Archetypal Patterns

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 1 hour and 14 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: HPA Press

Audible.com Release Date: June 26, 2017

Whispersync for Voice: Ready

Language: English, English

ASIN: B071W983M4

Amazon Best Sellers Rank:

This “book” belongs to the group where someone writes 0.1% of a book and charges for 30% of a book. Furthermore, the book interrupts saying what Jung believed to say what they - of some portentously-named bunch of loons - believe. Get Murray Stein’s book for a heavy intro, or Anthony Steven’s for a light intro.

Good insight on probing archetypal analytics of reference of the internal meaning of collective unconscious .

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Archetypal Pattern: Fundamentals of Non-Traditional Psychoanalysis, Book 1: From Carl Gustav Jung's Archetypes of the Collective Unconscious to Individual Archetypal Patterns PDF
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Product details

File Size: 1335 KB

Print Length: 232 pages

Publisher: Berghahn Books; 1 edition (December 17, 2018)

Publication Date: January 3, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07D5S5TYQ

Text-to-Speech:

Enabled

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X-Ray:

Not Enabled

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Word Wise: Enabled

Lending: Not Enabled

Screen Reader:

Supported

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Enabled

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Amazon Best Sellers Rank:

#1,612,435 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Susan Gates

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